FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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FABRITIUS, Carel The Goldfinch dfgh oil painting


The Goldfinch dfgh
1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague
Painting ID::  6627 		FABRITIUS, Carel
The Goldfinch dfgh
1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague
   
   
     
FABRITIUS, Carel Self-Portrait sfgh oil painting


Self-Portrait sfgh
1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London
Painting ID::  6628 		FABRITIUS, Carel
Self-Portrait sfgh
1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London
   
   
     
FABRITIUS, Carel Self-Portrait 1202 oil painting


Self-Portrait 1202
c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam
Painting ID::  6629 		FABRITIUS, Carel
Self-Portrait 1202
c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam
   
   
     
FABRITIUS, Carel Self-Portrait dfhm oil painting


Self-Portrait dfhm
Oil on panel, 62 x 51 cm Alte Pinakothek, Munich
Painting ID::  6630 		FABRITIUS, Carel
Self-Portrait dfhm
Oil on panel, 62 x 51 cm Alte Pinakothek, Munich
   
   
     
FABRITIUS, Carel The Beheading of St. John the Baptist dg oil painting


The Beheading of St. John the Baptist dg
Oil on canvas Rijksmuseum, Amsterdam
Painting ID::  6631 		FABRITIUS, Carel
The Beheading of St. John the Baptist dg
Oil on canvas Rijksmuseum, Amsterdam
   
   
     
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     FABRITIUS, Carel
     Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

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